Seminar
A seminar on the art’s role in the redevelopment of former psychiatric hospitals in the Nordic region.
The seminar is organized by a new Nordic network that explores the role of art in former psychiatric hospitals in the Nordic countries. The network consists of the Museum of Contemporary Art in Roskilde, Kunsthall Dikemark (Oslo), and Public Art Uppsala. Supported by the Nordic Culture Fund, the network will organize three seminars between 2025 and 2027 in Roskilde (Sankt Hans), Asker (Dikemark), and Uppsala (Ulleråker).
The seminar in Roskilde is the first in the series and focuses particularly on artistic strategies and methods related to working in former psychiatric hospitals, taking as its point of departure the current exhibition Kaåårååline’s Vers as well as artistic contributions from Ida Raselli, Malin Bülow, and Johan Ibrahim Adam.

12:00 PM Departure for Sct. Hans Have
12:15 PM Shared lunch at Sct. Hans Have
1:00 PM Nature walk
2:10 PM Performance and conversation with artist Malin Bülow
Location: The Chapel
3:10 PM Coffee and tea to go, walk back to Kurhuset
3:30 PM Performance lecture / workshop with artist Johan Ibrahim Adam
Location: The Sanitarium
4:30 PM Closing mingle
5:00 PM Thank you for today
Johan Ibrahim Adam graduated from the Gerrit Rietveld Academie in Amsterdam and Konstfack in Stockholm in 2023.
In 2023, he received Uppsala Municipality’s grant for newly graduated artists, which provides a year of free studio space at the Ateljéföreningen Hospitalet in Ulleråker. He has participated in Konstfrämjandet’s group exhibition *Solglimt* at Hospitalet and has recently completed a public art project in Ulleråker.
He has also exhibited at, among others, Askersunds Konsthall, The Contemporary Garage in Örebro, and Konstepidemin in Gothenburg.
Ida Raselli is a Danish artist who graduated from the Royal Danish Academy of Fine Arts, Copenhagen, in 2023. Using natural materials is characteristic of her practice, which also includes sculpture and text. Recent exhibition activities include Kunsthal Charlottenborg (2023), Horsens Kunstmuseum (2024), and Museum Folkwang (2024)
Malin Bülow’s work resides at the intersection of textile, performance, installation, and sculpture, centered on the equivocality around the body, its borders, and norms. It evolves around two main components: elasticity and fluidity. Her installations, always site-specific, utilize flexible materials stretched into monumental sculptures, creating tension between the venue’s architecture and setting and traditional representations of bodies in classical sculpture.